I love this music, and Shimomura-san is right to thank those close to her who supported her before she was a “big name” in game music. There are so many great melodies, and they work so well with the 16-bit sound palette built by Minoru Akao (Square’s sound programmer during that entire era), one cannot help but get sucked in. And the music here is nothing short of brilliant. But at the time, this was her big break it was her first project with Square. Why do I bother including this in the review? I think, because it’s important to note that 18 years later, Shimomura is still making incredible music. Thanks for the ocean, the mountain, the earth, the wind, the sky, the sun, music… …and you. The MPC has a well-earned reputation for sounds that hit hard and sound great. Thanks for giving me a stage on which to perform, and for all the joys that have made me who I am. Future versions will support Ableton Link. Thanks Mom and Dad, my brother, friends, loved ones, and Chief, the whole “LIVE A LIVE” staff, and the “LIVE A LIVE Original Soundtrack” staff, too. ![]() One more thing new to the album’s packaging are these short, English liner notes from Yoko Shimomura, which read as follows: For importers, this image will serve as another poignant reminder that Square Enix is crazy for not bringing this game to the US. It is undeniably impressive that JMP Productions was able to travel half way around the world to record an album at such a prestigious venue, and even more so that this. It is simple to learn, powerful enough for live performances and free to download. These suites are pretty long, and I really dig the arrangements. Sonic Pi is a new kind of instrument for a new generation of musicians. The new booklet is just a foldout, but it does have a really nifty screenshot-based timeline / sequence of events for the seven characters (nothing for the big crazy ending, though!). There’s a lot to talk about here, so hit the jump for our full review. ![]() The original had an 11-page booklet with great, detailed character art for each of the main characters in the game. On the minus side, the packaging for this reprint is rather sparse compared to the original. Ah well, y’know what they say about staring at gift horses… There would’ve been just enough room on the disc for it. Of course, I would’ve also appreciated getting the vocal version of GO! GO! Buriki King!! that was released as a special bonus CD to Japanese eSTORE customers back in March. These are great tracks, and I’m happy to have them. They were originally found on the super-rare strategy guide 8cm CD. On the plus side, Square Enix tacked on two bonus tracks. The Live A Live Original Sound Version holds some really impressive themes that Shimomura must be proud of, and quite a few of you would like them, even now. In keeping with current naming convention, and to differentiate it from the first print, Square Enix named this album an “Original Soundtrack” instead of “ Original Sound Version.” The difference between the two albums? There are a few, some good and some bad. In any case, we’re all in luck, as the soundtrack for this Super Famicom cult classic has finally been reprinted (first print since 1994!). One cannot help but wonder if a remake or port is on the horizon… Almost all of the “SQ” arrange albums feature a track off of LIVE A LIVE, and there are two tracks from the game featured on the fantastic Shimomura orchestra album drammatica.
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